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February 06, 2012

Why Aren't We Geeking The Job Search?

Let's be honest here, my progeek kin (Progeekin?), the job search is a nightmare.  if you have your own business, the search for clients is probably somewhat saner, but I'm not ready to reach that conclusion because I'll probably get a good talking-to from people with their own businesses.

But anyway, it stands, the job search is crazy.  HR is ossified, overstressed, or both.  Recruiters slog through insanity for us, but need our help.  The resume and cover letter are a pain.  Job search sites are sometimes not helpful, and the more they experiment, the worse it gets.  The interview process is . . . well, you get the idea.

OK we know it's awful.  Part of what I post here is how to deal with the job search, along with my usual random complaints and charmingly witty observations.

But I just want to post a question here for us to think of - what are we doing to change this?

Continue reading "Why Aren't We Geeking The Job Search?" »

February 05, 2012

News from the North - Feb 5

Quick round up today.

Second Major Canadian ISP to End Throttling
Rogers finally bent to pressure and has promised to end the practice of throttling internet traffic on its networks. The initial change is expected by June 2012 to half of the provider's customers, with the rest by December. The change comes after the CRTC noted that Rogers was deliberately slowing traffic, including online gaming, thus violating net neutrality. However, altruism isn't Rogers' motive; Bell announced that it would be ending throttling starting March 1.

Apple Amends Ownership Clause
Apple has amended its iBooks Author creation app to make it clear that content belongs to authors and only the format is the company's. The move is to confirm that Apple owns the .ibook format but not e-books created for that file type.  Good news for authors wanting to publish via iBooks.  Not so good for open sourcing.

--Scott D

Focused Fandom Countdown: 2+ Months To Go

I've decided it's time I start documenting my latest fan-to-pro effort - my next book "Focused Fandom: Fanart, Fanartists, and Careers."  It's about the career value of cross-national linguistic software.

Wait, no it's about how fanart can lead to and enhance your career.  Sorry - it's been a long week.

Unlike our own Rob and his wife I don't have the energy for a day-by-day discussion, and the book isn't due to April anyway.  In fact, that's part of the story.

Continue reading "Focused Fandom Countdown: 2+ Months To Go" »

February 04, 2012

You Will Never Kill Piracy, and Piracy Will Never Kill You - Forbes

Now that the SOPA and PIPA fights have died down, and Hollywood prepares their next salvo against internet freedom with ACTA and PCIP, it’s worth pausing to consider how the war on piracy could actually be won.

via www.forbes.com

A must-read. One of the points brought up is that Hollywood's business model is simply not sustainable in its current form. Me, I agree: I'd rather see many smaller, better movies than have $200M blown on the likes of Battleship.

-- Serdar Yegulalp

Lost in Translation 24 - Adaptations Are Painless

Over the past half-year, I've looked at many adapations, most of which weren't as popular as the original. However, it's possible to have a remake be better known than the original work. This week's column looks at one famous instance of the phenomenom.

M*A*S*H started out as a novel, MASH: A Novel of Three Army Doctors by Robert Hooker, featuring Doctors "Hawkeye" Pierce, Duke Forrest, and "Trapper John" McIntyre. In 1970, the first book of the series was adapted by Robert Altman as a motion picture, called MASH, and starred Donald Sutherland as Hawkeye and Sally Kellerman as Hot Lips. MASH used the base story in the books, then went its own direction as an anti-war movie, using the Korean War as subtext for the Vietnam War.

Naturally, a success in theatres means a television exec wants to cash in on the popularity. In 1972, the movie was adapted as a TV series, this time called M*A*S*H (with the asterisks). Still working the protest angle, production staff bent to the requirements of the network, CBS, while working out some concessions. One major concession was the use of a laugh track. Laugh tracks were used in comedies to let viewers know when something was funny, implying that there was a live audience during the filming of an episode. With M*A*S*H being filmed out on a set instead at a studio, production staff argued that no one would be fooled. After some negotiations, staff managed to get a concession that there would be no laugh track during scenes in the operating room; the idea being that business in the OR would be too heavy. Dramatic scenes in the early season took place often in the OR, whether or not surgery was involved.

M*A*S*H, the TV series lasted far longer than the Korean War did*, and paved the way for TV series that had both comedic and dramatic elements.** The tone of the series changed, subtly, but comparing an episode from the 1974-5 season with the 1979-80 season shows a huge difference in the approach.

The success of M*A*S*H took time at first. The early ratings weren't stellar, and in today's TV marketplace, the show would have been cancelled during its first season. However, CBS took a chance on the series, letting it gather an audience, culminating in the largest even TV audience for the show's last episode. The series let its characters evolve; the Hawkeye of the last season was a more aged version of the Hawkeye of the first, having gone through the war. Again, respect plays a part; respect for the soldiers and the people who died during the conflict, a respect for the intelligence of the viewers. At the time it first aired, M*A*S*H was different from the competition, and managed to maintain its respect for the viewers over its seasons.

Next time, if you can find it, maybe you can read the remake.

* Korean War, 1950-1953. M*A*S*H*, 1972-1983
** The term "dramedy" didn't exist prior to M*A*S*H

February 03, 2012

Economic News Roundup 2/3/2011

Oh what a lot of juicy economic news we have.

The latest NFP report on employment is surprisingly good.

A NY Lawsuit over MERS could get very complicated and may push some of the banking issues into/back into public conciousness.  Read the whole thing.  I'm still waiting for MERS issues to explode, and despite conflicting policies on the state and federal level, something's going to give.

Layoffs may be coming at Microsoft.  Rumor stage, but worth watching (and a thought - if it is coming this is a good time to do it and hope for not too much press).  Do I see it as a real deal?  I can't say either way, but the area of layoffs make sense.

MUST READ: A look at unemployment that answers the big questions people have.  Just go take a look and analyze (for instance, education affects your chance to be unemployed, but not the duration).

- Steven Savage

For Love of Tower Defense

When Skyrim was done sucking down my spare and not-so-spare time, I tried some smaller downloadable games.  First I played "Dungeon Defenders", a tower defense/RPG fusion.  Next (well, at the same time), I played "Orcs Must Die," a case of truth in advertising that was . . . an RPG/Tower Defense Fusion.

Starting to see a trend?

In fact, Microsoft apparently did, they even had a Tower Defense discount/special on XBox.  It appears that Tower Defense has become pretty popular and produced some good games lately, even if the genre has been around for awhile (such as "Trapt/Dark Illusion") 

This made me wonder, just are these games popular?  Why was I enjoying them?  Why did these RPG-style fusions seem especially enjoyable and well-received?  I mean, yes, Tower defense was and is popular, but these games seemed to reach something in me and other gamers that made us play for hours and speculate on new ways to immolate orcs (I recommend a spring trap that throws them back into Brimstone, by the way).

For you current and future game professionals, here's my analysis.

Continue reading "For Love of Tower Defense" »

Can You Resell Digital Music Files? This Company Says Yes, But...

Google: Digital Music Case Has Cloud Law Implications - Cloud-computing - Platform as a Service - Informationweek

Google's gone to court to file a friend-of-the-court brief in favor of an outfit named ReDigi, "an online market that facilitates the resale of digital music files."

This has long been one of the biggest taboo areas of digital content: being able to resell content you downloaded. ReDigi claims it has ways to keep the system from being abused, but naturally the record companies are deeply skeptical. Capitol Records (an arm of EMI, now Sony) was one such skeptic, and it filed suit against ReDigi last month.

So why would Google go to stump for them, when Google's selling digital music itself? It's in part because what ReDigi is being sued for overlaps with some of their own music services -- the ability to stream audio from a digital locker.

Also, the larger implications of the case are massive: if the doctrine of first sale applies to digital goods, the entire landscape for same could be irrevocably altered. Is a download a piece of property only because a contract says so?

-- Serdar Yegulalp

February 02, 2012

Giving Them What They Want: A Fizzy, Chocolaty Tale

If you were on a diet, and someone promised you a beverage that tasted just as good as what the people not on diets were drinking . . . would you believe them? Probably not. But if someone actually delivered on that promise, and then some, would you remember their brand next time you went to the grocery store? Oh, yes - because the company delivered exactly what you wanted.

There was a company that did this, and created a genuine cult soda. And believe it or not, there's a lesson in this fizzy tale that can help you on your job search.

Continue reading "Giving Them What They Want: A Fizzy, Chocolaty Tale" »

Interview with Caitlin Ashberry of Mad Science

I come to you today to share a tale of science literacy, educational programming, and exploding goo.  Welcome to the world of Mad Science, a company that teaches kids in schools and summer camps about physics and chemistry by way of theatrical presentations.  I interview a presenter, Caitlin Ashberry, or as she is known at Mad Science, "Katie Kaboom."

Continue reading "Interview with Caitlin Ashberry of Mad Science" »